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Gorean

The Gorean philosophy is a philosophy espoused in the science fiction novels by John Norman. A number of fans of Normans work have attempted to live their lives according to this philosophy While the most conspicuous Gorean departure from mainstream modern norms is that Goreans promote sexual master-slave relationships, many who espouse the Gorean worldview insist that being Gorean is not necessarily about either sex or slavery, but about the general Gorean philosophy and so one would not have to participate in a master-slave lifestyle or relationship in order to be Gorean. Some of this philosophy is concerned with order of nature and the relations between men and women, which may or may not take the form of a master-and-slave dynamic. The majority of Goreans who pursue a lifestyle approach often do not consider what they do to be BDSM or kinky as such and reject the idea of isolated scenes in favor of an integrated comprehensive way of life, but do engage in certain practices also pursued by BDSM followers see 24/7, Dominance & submission, Servitude BDSM, Slave BDSM, Total Power Exchange, etc.. A few Goreans do practice BDSM even though BDSM is not Gorean in itself. These Goreans may or may not use a safe word when involved in BDSM scene play; however, if they do not, then some sort of communication is usually practiced. Another area that Goreans practice is the demonstrative fashion their slaves serve and perform slave positions. Many of the slaves take great pride in pleasing their Master in this manner. Most of the scenarios are maledom / femsub, but a few portray men as the slaves of women, and anticipate the eroticized first-person male slave narratives of some of the Gorean novels. Model dressed up as a Gorean slave kajira with a kef brand The Gorean identity is founded on home, job, and social order. The Three Pillars of Gorean society is described as Home Stone, Caste System, and Order of Nature. Many who study and follow the Gorean morality do not own slaves. Slavery is not required to be Gorean. A Home Stone is a rock, which can be plain and simple or even a large precious stone, such as a topaz. It is about the size of a person’s fist. It is carved with a letter in it, often the family sign. A Home Stone represents sovereignty, and marks territory. Even peasants were considered a sovereign in their hut; such is the strength of the ideal of Home Stone. Villages, towns and cities also had Home Stones. Most Goreans would never stand in the way of a Man who carried a Home Stone, out of respect for the ideal of Home Stone, and the fierceness by which it would be defended. Home Stones were displayed in the center of a hut, village or city. The Home Stone is held sacred by every city and settlement, and is displayed under guard. Any praise or insult to a Home Stone is taken personally by those who live in the city it symbolizes. The theft of a Home Stone is the gravest crime, and paradoxically the most honorable enterprise that any Warrior could undertake. The home is of prime importance to the Gorean, and this applies as much to the city-state of origin, as to the current residence or camp. A man’s home is his castle is translated in Gor as, Every man is an Ubar within the circle of his sword The Ubar is a war-leader, a General who takes power at a time of crisis, and whose rule is tantamount to tyrant until the crisis is resolved.. Living Goreans, those who follow Gorean Morality here on Earth, hold the ideal of Home Stone very high. Home Stone as embodied on Earth, is considered to be sovereignty over oneself, as well as good citizenship: the two must be well-balanced, so that neither the individual nor the community suffers. The Goreans occupation is formed and informed by their caste. The Caste system establishes the Gorean identity as strongly as homeland. Because of the Goreans work ethic and pride in caste, all castes are essentially equal. There is little social mobility because of this caste pride and identity; even the Peasant caste upholds their caste codes and firmly believes in their superiority to all other castes. But in actuality, a few castes are more equal than the others. Those of High Caste, including Scribes, Warriors, Physicians, Builders and Initiates holy men have access to privileged education and opportunities to leadership. The social order is further consolidated by social edict: A man who refuses to practice his livelihood or strives to alter status without consent of the Council of High Castes is by definition an outlaw. A Gorean regards the welfare of their caste higher than their own, but in return, the caste provides welfare and charity when a caste member is in need. The way in which many Living Gorean reflect the Gorean Morality, in their professions, is to establish a code for their profession that they follow. This, combined with striving for excellence in their profession, is a small reflection of the Caste system presented in the series. Part of what Norman indicates as natural order, is that males have a predisposition to be more dominant, and females have a predisposition to be submissive. Norman indicates that with changes in society brought on by industrialization and feminism, human instincts have become confused and suppressed. Distinctive Gorean symbols include various artistic renditions of the kef symbol Kef being the initial letter of kajira in the Gorean language, the floral dina mark, and to a lesser extent other brands mentioned in Normans Gor books. In the original novels, Goreans are simply those humans who live on the planet Gor. The back-story of the setting holds that various humans were transported from Earth to Gor in ancient times, a process which continues at a low volume in the present mostly in the form of Earth women taken to Gor as slaves. In the books, although most slaves on Gor are female, most females are actually free women. The ratio has been presented as approximately 40 free women to one slave girl though the various hints about Gorean demographics given in different Gor novels are not entirely consistent and are difficult to reconcile with references in the novels to the cheapness and abundance of female slaves. Male slaves are less common than female, and are usually criminals, debtors or prisoners of war. Female slaves are called kajirae singular: kajira and male slaves are called kajiri singular: kajirus in the Gorean tongue.

Acting coaches

An acting coach can be an invaluable tool for any actor. If you want to jumpstart your career, or want a new perspective on your existing career, visit acting coach to find a new coach and get your career on track. Acting coaches act as human mirrors for clients by sharing outside and unbiased perspective on what they are observing about their clients. Generally, acting coaches help an actor grow in the area of performance through acting exercises, cold reading and often, commercial techniques. Acting coaches are people with whom actors develop relationships designed and defined in a agreement between two parties.

The kid market in Hollywood is growing everyday. If you think your child has what it takes to perform in the entertainment business, go to acting for kids and get important information today. To be involved in acting for kids, a child must be able to play characters in different settings and genres. Well-rounded kid actors are also skilled in singing, dancing, and dialects. The actor is the storyteller through character and sometimes as a kid, the most important or main character in a production.

Breast Cleavage

Cleavage, anatomically known as the intra-mammary cleft, is the space between a woman's breasts lying over the sternum. Cleavage is exposed by a garment with a low neckline, such as ball gowns, evening gowns, swimwear, casual tops and other garments.

Most people, both male and female, regard breasts as an important aspect of femininity and many women use cleavage to enhance their physical and sexual attractiveness and to enhance their sense of femininity. Some people regard use of cleavage as a form of feminine flirting or seduction, within the confines of community, peer group and personal standards of modesty, as much as for its aesthetic or erotic effect. Some people derive erotic pleasure from seeing a woman's cleavage, some derive pleasure in their female partner exposing cleavage, and some women wear low-cut clothing for the pleasure of their partner. However, some people, such as those subject to gymnophobia, may feel uncomfortable with the sight of a woman's cleavage, or object to low-cut clothing for modesty or other reasons.

The International Federation of Associations of Anatomists has adopted the terms inter-mammary sulcus or inter-mammary cleft when referring to the area of cleavage between the breasts not including the breasts. For legal purpose it was noted by the United States federal courts that anal cleft or cleavage and cleavage of the female breast are so imprecise as to provide no guidance in defining them.

Décolletage, which is the form of the neckline, is an aspect of woman's fashion. As such, popular necklines change over time and for different occasions. Women's swimsuits and bikinis commonly have very low necklines which result in the tops and sides of breasts being exposed. Evening dresses often have low to extremely low necklines. Such dresses are often considered a sign of elegance and sophistication on many formal social occasions. Also, modern Western fashions favor open neck styles.

Many women regard breasts as an important female secondary sex characteristic, and a factor in their sexual attractiveness. Many women identify their femininity and sense of self with their breasts. Historically women have, in appropriate situations, displayed their breasts and femininity with pride, within the limits of community and personal standards of modesty.

Various methods have been used by women in history to accentuate breasts. For example, corsets that enhanced cleavage were introduced in the mid-16th century. By the late 18th century cleavage enhancing corsets grew more dramatic in pushing the breasts upwards.[13] The tight lacing of corsets worn in the 19th and early 20th centuries emphasized both cleavage and the size of the bust and hips. Ball or evening gowns especially were designed to display and emphasize the décolletage.

More recently, after corsets became unfashionable, brassieres and padding have served to project, display and emphasize the breasts. Several brassiere manufacturers, among them Wonderbra and Victoria's Secret, produce bras that enhance cleavage.

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